How to recognize these 5 Christian martyrs in paintings

Christian martyrs are often remembered through grim attributes that serve as poignant reminders of the agonizing ordeal they endured due to their faith.

1. Saint Laurence

Patron saint of cooks, chefs, and comedians

Burned on a rack

As he endured the excruciating torment of being cooked, the story goes that he turned to his tormentors and calmly uttered:

“I’m done on this side, flip me over”
Francisco de Zurbarán, "Saint Laurence" (1636)
Francisco de Zurbarán, "Saint Laurence" (1636)

2. Saint Sebastian

Patron saint of soldiers, archers, and plague

Shot by arrows

His survival from a rain of arrows did little to sway the Roman emperor who had issued his death sentence. He was then brutally beaten, and his lifeless body cast aside into a sewer.

Tommaso,"Martyrdom of Saint Sebastian" (15th century)
Tommaso,"Martyrdom of Saint Sebastian" (15th century)

3. Saint Catherine

Patron saint of girls, students, philosophers, and craftsmen working with wheels

Breaking wheel

Initially condemned to the breaking wheel, she left onlookers astounded when the wheel disintegrated at her mere touch. As the execution proceeded with a beheading, legend has it that instead of blood, a milk-like substance flowed from her severed neck...

Caravaggio, "Saint Catherine of Alexandria" (1598)
Caravaggio, "Saint Catherine of Alexandria" (1598)

4. Saint Peter Martyr

Patron saint of inquisitors and midwives

Murdered by cleaver

Vengeful Venetian nobles hired his assassins in response to Peter's persecution of heretics.

Pedro Berruguete, "Saint Peter the Martyr" (c. 1493-1499)
Pedro Berruguete, "Saint Peter the Martyr" (c. 1493-1499)

5. Saint Lucy

Patron saint of the blind

Eyes removed

Paschasius commanded his guards to remove her eyes when she prophesied his impending punishment. Another version has Lucy taking her own eyes out in order to discourage a persistent suitor who was captivated by them.

Domenico Beccafumi, "Saint Lucy" (1521)
Domenico Beccafumi, "Saint Lucy" (1521)

Extra

A shared symbol among all martyrs is the palm leaf of victory, reminiscent of what Greek or Roman athletes received upon winning sporting contests. Martyrs are victorious in death, reborn in Heaven.

Spot a palm leaf - Spot a martyr!

Spot a palm leaf - Spot a martyr!

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Non-Finito: The Art of Incompleteness

Here are a few of our favorites... Enjoy!

"Salvator Mundi” (1505) by Albrecht Dürer / Metropolitan Museum of Art in New York

"Salvator Mundi” (1505) by Albrecht Dürer / Metropolitan Museum of Art in New York

“Holy Family with Saint John the Baptist” (1528-1537) by Perino Del Vaga / Courtauld Gallery in London

oly Family with Saint John the Baptist” (1528-1537) by Perino Del Vaga / Courtauld Gallery in London

“Take your Son, Sir!” (1851–56) by Ford Madox Brown / Tate Britain in London

“Take your Son, Sir!” (1851–56) by Ford Madox Brown / Tate Britain in London

“Study of Mme Gautreau” (1884) by John Singer Sargent / Tate Britain in London

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“The Entombment” (c. 1500–1501) by Michelangelo / National Gallery in London

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The MuseMuse Guide to Sounding Like an Art Expert 

Art experts love using fancy words to show everyone how clever they are. This can be a bit intimidating (not to mention confusing). But have no fear: this cheat sheet will outline nine key terms that will have you sounding like a bona fide art buff in no time! 

Let’s start with composition. This refers to how the different parts of a work come together to create a whole (much like a piece of classical music – or a cake).

Next, up, we’ve got en plein air – a fancy way of saying 'outdoors'. Painting en plein air was popular with the Impressionists, who found that working outside let them capture the nuances of light and colour far better than they could in the studio. 

John Singer Sargent painting of the Impressionist painter Claude Monet painting en plein air, accompanied by his wife Alice. John Singer Sargent’s Claude Monet Painting by the Edge of a Wood (1885)‍
John Singer Sargent’s Claude Monet Painting by the Edge of a Wood (1885)

Now, like almost every painter who came before them, the Impressionists were figurative artists. In plain English, this meant that they painted real things, like people and places and implausibly stacked fruit bowls. 

By contrast, abstract artists aren’t interested in depicting the world as we normally see it: if you're into shapes, lines and big blobs of colour, this might be the style for you.

Painting of a black square over a white background, which frames it. Kazimir Malevich’s Black Square (1915)
Kazimir Malevich’s Black Square (1915)

Another bit of art jargon that sounds scarier than it really is diptych. This is simply an artwork made up of two separate parts or panels. And you guessed it – a triptych is a work made up of three.

Hieronymus Bosch’s The Garden of Earthly Delights (1490–1510) . Triptych showing the Garden of Eden, Earth and Hell
Hieronymus Bosch’s The Garden of Earthly Delights (1490–1510)

If a triptych doesn’t float your boat, then how about a tondo? Taken from rotondo, the Italian word for ‘round’, this refers to a work in the shape of a circle.

Another exotic term beloved by art buffs is fin de siècle. This French phrase translates to ‘end of century’, and generally refers to the period from around 1880 to 1900. Of course, you could simply say ‘the end of the 19th century’ – but that wouldn’t be anything like as impressive, would it? 

Henri de Toulouse-Lautrec’s Marcelle Lender Dancing the Bolero in “Chilpéric” (1895–96)‍. Colourful painting of a woman in a pink and green dress dancing in the middle of a group of people
Henri de Toulouse-Lautrec’s Marcelle Lender Dancing the Bolero in “Chilpéric” (1895–96)

Last but not least, we come to the most valuable weapon in the art expert’s arsenal. Next time you find yourself faced with a work you really don’t understand – or a work you really don’t like – stand in silence, slowly stroke your chin, and after at least twenty seconds have passed, utter the immortal words: hmm… interesting

Right: you’re all set to dazzle the experts with your newfound vocab. But if you want to take things to the next level, be sure to download MuseMuse. 

Our app is packed full of bite-sized breakdowns spanning thousands of years of art and culture. And whether you’re a complete newbie or a cultural connoisseur, you’re bound to learn something new (and have fun while you do it!).

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5 sculptures carved to perfection

Leonardo da Vinci famously said, "Details make perfection, and perfection is not a detail." In the world of sculpture, this rings especially true. The finest works are defined not just by their overall impact but by the intricate details that bring them to life. Here, we introduce you to our favorite five sculptures that exemplify this mastery, where every detail has been meticulously carved to perfection.

“The Rape of Proserpina” (1621-1622) by Gian Lorenzo Bernini / Galleria Borghese in Rome

“David” (1501-1504) by Michelangelo / Galleria dell'Accademia in Florence

“Modesty” (1752) by Antonio Corradini / Cappella Sansevero in Naples

“Apollo and Daphne” (1622-1625) by Gian Lorenzo Bernini / Galleria Borghese in Rome

“Laocoön and His Sons” (40-30 BCE) by Agesander, Athenodoros, and Polydorus of Rhodes / Vatican Museums in Vatican

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